Thursday, February 21, 2013

Why the School Bus Never Comes in Red or Green

By JAMES BARRON
full article
A question came to mind as school bus drivers prepared to start their engines on Wednesday on 7,700 public-school routes in New York City and end their monthlong strike: Why are most school buses yellow?
Why not some other color? Why not burnt sienna, like a crayon? Why not light-medium robin’s egg blue, like a jewelry box? Why not magma orange, like a Lamborghini?
The answer is Frank W. Cyr, a professor at Teachers College, Columbia University, who became known as the “father of the yellow school bus” for research he led in the 1930s.
Dr. Cyr, who died at 95 in 1995, had traveled the country, surveying pupil transportation in an era when school buses cost $2,000 apiece but differedwidely from manufacturer to manufacturer and jurisdiction to jurisdiction. Some states had safety standards; some left the task to local school districts. “In many cases, standards have been set up by more or less hit-and-miss methods,” according to an account that Dr. Cyr oversaw.
Then, in the spring of 1939, he called together educators, school bus manufacturers and paint experts for a conference that approved the nation’s first school bus safety standards — 42 pages covering everything from axles, batteries and emergency brakes to the inside height of the passenger compartment to, yes, the color that the world saw outside. The standards were published in a booklet with a yellow cover: the yellow was the color the group had chosen.
“They wanted a color that would stand out, that other drivers could see from a distance and that would be identified with a school bus so whenever we saw it, we’d think, there’s a group of kids going someplace,” said Frank Cyr’s son, William. “Before that, they sent kids to school in anything.”
Buses, trucks and even horse-drawn wagons carried schoolchildren in those days. Some buses were painted in drab colors. Some administrators suggested red, white and blue, apparently not to make the buses more visible but to make the passengers more patriotic.
For his part, Frank Cyr understood the importance of standardization. “For every different color,” he recalled in 1989, “the bus companies had to have different booths to spray-paint them.”
Yellow was hard to miss, even in weather so bad your mother made you wear galoshes. But which yellow? This is like asking what color is the White House.
“I remember as a kid, he had color samples,” William Cyr said. “He had a desk at home in his study and he would lay the samples out across his desk and look at them. He would talk about the samples as being orange. As I remember it, they were a gradation from orange over to a pale yellow.”
At the conference in 1939, he displayed 50 shades of yellow, from a deep, lemony yellow to a deep orange-red. He recalled in 1989 that the group appointed a committee of education officials to make the final color choice.
“The color they selected was and remains ‘national school bus chrome,’” said Bob Riley, executive director of the National Association of State Directors of Pupil Transportation Services. “I don’t know why the word ‘chrome’ was in there, but it has something to do with the makeup of that paint.”
The most recent version of the standards, approved in 2010, calls the color “national school bus yellow,” and Mr. Riley said there is a specific formula for it.
“I’ve seen it,” he said, alluding to the formula. “We used to have it on our Web site. I think we dropped it off the Web site because nobody ever asked for it.” But, he added, “You can’t buy a bus that doesn’t meet that formula.”
Other specifications adopted at the school-bus conference have been revised over the years, but not the yellow, even though it is a relic from before the eye-popping palettes of artists like Andy Warhol and Peter Max.
“If they had to do it today, who knows if it would be the same, because now they have brighter, more noticeable things,” Mr. Riley said. “Think of the vests highway workers wear. Obviously, they’re even more noticeable than national school bus chrome yellow. But the rationale for maintaining that color is its universal acceptance. We’ve all been born and raised knowing what that is.”
William Cyr said he remembered asking his father, “If you’re the father of the yellow school bus, what does that make me?”
Frank Cyr had a ready answer: Anytime William saw a school bus, he could announce, “There goes one of my brothers.”


Wednesday, February 20, 2013

aerial photos of tulip fields in the netherlands


Full Article

Preparing for a Warmer, Drier Planet: Water is the Hidden Cost of Energy

Full Article

Think about the environmental impacts of energy use, and your mind probably jumps immediately to obvious ills: greenhouse gases, acid rain, air pollution, radioactive waste, or landscapes ravaged by coal mines or tar sands pits or fracking fields.
You probably don’t think a whole lot about water, unless you’re picturing a once-rollicking whitewater river backed up into a placid lake behind hydroelectric dams. Or maybe some gulf waters coated by that iridescent sheen of an oil slick.
Truth is, some of the most severe impacts of energy consumption—whether it's the gas we pump into our cars or the electricity coming out of our sockets—have to do with the staggering amounts of water needed to produce and harness the energy that powers our modern lives.
The raw numbers are practically beyond comprehension. We’re talking about roughly 583 billion cubic meters of freshwater withdrawn annually to produce energy, according to the International Energy Agency (IEA), which for the very first time included a section on water in its annual World Energy Outlook. That figure represents about 15 percent of total water use worldwide, second only to agriculture as an overall industry.
In real world terms, water is withdrawn from the world’s rivers, lakes and aquifers for energy use at roughly the same rate as it flows down the Ganges or Mississippi Rivers.
Sure, a bunch of that is returned to the environment—after serving to cool power plants, for instance—but the initial withdrawal still stresses local ecosystems, as does the spent water that often carries a whole bunch of waste heat.
The problem is only getting worse. As reported by National Geographic, the amount of freshwater consumed (that’s the stuff that doesn’t flow back into local hydrological systems) by energy production is projected to double by 2035. This in a time when freshwater shortages are beginning to threaten all corners of the globe, and ever-increasing temperatures promising to cause even greater water stress to billions.
So where is it all going?
  • The typical 500 megawatt coal-burning power plant sucks up about 300 million gallons of water every day. Most of that is released—at a considerably higher temperature—but about 3 million gallons are gone for good.
  • An average nuclear power plant churns through 720 gallons of water for every megawatt-hour of electricity that it produces. So say it’s a 500 megawatt plant, that’s 360,000 gallons for every hour of operation.
  • For every gallon of gasoline you pump into your car, anywhere between 2.8 and 6.6 gallons of water were spent to extract and refine it.
  • Short for “hydraulic fracturing,” it’s not surprising to learn that hydrofracking is water-intensive. The typical deep shale well requires 4.5 million gallons of water to drill and release the gas within.
  • Biofuels are enormous water hogs. A single gallon of corn-based ethanol demands roughly 780 gallons of water for irrigating the crops alone.
So how can we keep our lights on and our cars running, while keeping water flowing from our taps? (And, crucially, how can we turn the lights on and get tap water flowing in communities in the developing world where there aren’t yet outlets or faucets to speak of?) Technology has some answers. Advanced cooling systems in power plants help a lot; the newest combined-cycle natural gas plants, for instance, drink up a whole lot less water than old coal plants.
Better still would be to focus on those fuel sources that require little-to-no water at all. The IEA report suggests putting some serious restrictions on biofuels, especially in areas where food and water shortages already exist. It also makes the case for solar and wind, which sip, don’t gulp, from freshwater supplies. Of course, the best way to cut water use in energy production is to cut consumption itself. The great and immediate gains we can achieve in efficiency and conservation can go a long way in ensuring that we’ll have enough water and power to go around.

“YOU HAD ONE JOB!” SEE THE HILARIOUS SIDE OF WORKPLACE INCOMPETENCE

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The "You Had One Job" website chronicles extreme examples of work-related underachieveme

You Had One Job started as a meme on the Fail Blog, the website dedicated to showcasing signs with egregious typos, misguided fashion choices, and all manner of errors in judgment. Inspired by a line of dialogue in the film Ocean’s 11, the You Had One Job images posted on the Fail Blog and also Reddit focus in on work-related mistakes so opposite of their intentions as to approach irony.
From the Spiderman backpack that has "Batman" emblazoned in big letters, to the mug handle on the inside of a mug, these careless blunders should put some of your perceived workplace screwups in perspective. Have a look through some of our favorites in the slide show above.

Watch: How It Feels To Use Google Glass


THIS MORNING, GOOGLE SHARED A NEW VIDEO TO SHOW YOU “HOW IT FEELS” WHEN YOU WEAR GLASS.

http://www.fastcodesign.com/1671916/watch-a-first-look-at-google-glass-at-work#-1

Monday, February 18, 2013

Continuum season 2 in production


From a media release:
Rachel Nichols and Victor Webster headline ensemble cast of the returning hit series
Reunion Pictures, in association with Shaw Media, announced today that production has started on Season 2 of Continuum, the original one hour drama-action series about a policewoman from 2077 who travels back in time and teams with a present day cop to track down escaped convicts from her future. Continuum Season 2 is slated to premiere in Canada on Shaw Media’s specialty channel Showcase in April 2013.
Continuum debuted on Showcase to an audience of over 1 million viewers (2+), shattering all previous premiere records on the network, making it the #1 specialty series of the summer. Last summer, Continuum averaged #1 on Sundays, dominating its timeslot across all key demos. The epic first season concluded with the most-watched finale in Showcase history.*
In Season 1 of Continuum, Kiera Cameron (Rachel Nichols; Criminal Minds, Alias), a cop from the year 2077 found herself trapped in present day Vancouver, searching for convicted terrorists from the future, known as Liber8. With unexpected assistance from teen tech genius Alec Sadler (Erik Knudsen; Jericho, Scream 4), Kiera desperately tried to bring down the terrorists before they changed the course of history forever. In Season 2 Kiera continues her uneasy alliance with her partner, Vancouver Police detective Carlos Fonnegra (Victor Webster; Castle, Melrose Place) and grapples with the big question that closed the first season – why was I sent here? While Alec struggles to understand the implications of the mysterious message he received from his future self in last season’s finale, the Liber8 terrorists become more strategic, although just as lethal.
“Season 2 of Continuum will see Kiera pitted against Liber8 while trying to find a way back to 2077,” says creator/executive producer Simon Barry, “This season will feature the best elements of Season 1 in addition to some new characters and storylines that expand the universe of Continuum.”
“We’re absolutely thrilled about the great viewer response for the first season and know that fans are eagerly awaiting the second season,” says Reunion Pictures Tom Rowe. “Simon Barry’s vision, top notch writing and a terrific cast are captivating the North American and international audiences.”
Rounding out the cast is Stephen Lobo (Smallville, Little Mosque On The Prairie), Roger Cross (The Gates, Fringe), Lexa Doig (V, Stargate SG-I), Omari Newton (Blue Mountain State, Sophie) and Luvia Petersen (The L Word) .
Continuum is created by Executive Producer Simon Barry (The Art of War) while DGC award winner Patrick Williams (Shattered, DeGrassi:The Next Generation) is Executive Producer and Director. Reunion Pictures partners Tom Rowe, Lisa Richardson and Matthew O’Connnor are Executive Producers
Filmed on location in Vancouver, BC, Continuum is developed and produced by Reunion Pictures.
*Source: BBM Canada, PPM Data 5/21/12-8/5/12

Your Office's Fluorescent Lights Really Are Draining Your Will To Work


It's not all in your head--toiling away in a cold, beige office under artificial light really does sap your soul. New research shows that you need light and warmth to do your best work--so open the blinds, already.
"Your environment has a huge impact on how productive you are," Brendan Baker tells Buffer writer Leo Widrich. "That means the temperature in your room, the color of your walls, and the noise happening around you."
Call it environmental productivity: the science of how your space supports (or handicaps) the work you do. It's the kind of insight that design firms like Steelcase--which has an office anthropologist and has rethought virtual meetings-- traffic in, with the goal of helping workers to thrive, rather than simply survive.
To that end, Widrich found key factors: light and warmth.

Natural light keeps you alert

We've all felt the brightly lit darkness of a minimally windowed, fluorescent-flooded workspace, and new research by Mirjam Muench shows just why artificial light looks (and feels) so damn hideous.
According to his study, people who had a diet of daylight were "significantly more alert" at the beginning of the evening while the sunshine-stricken were "significantly sleepier" at the end of the evening. The Swiss neuroscientist concludes that even short-term afternoon lighting conditions have an impact on evening task performance, which sheds some light on the 4 p.m. slump--we're not getting enough sun.

Warmth keeps you going

Widrich finds a shocking statistic in a Cornell study: "When temperatures were low (68 degrees or 20 degrees Celsius), employees made 44% more mistakes than at optimal room temperature (77 degrees or 25 degrees Celsius)." The researchers describe "clear associations" between office work performance and indoor environment conditions, which as Fast Company observed, further evidences the productivity power of the thermostat.
What the chilliness does, Widrich notes, is keep you distracted: Feeling cold means you'll be summoning energy to keep warm, rather than spending it on something more useful.
So how do you make the most of light and temperature? 
  • Rise with the roosters: If you sleep in past sunrise, you're missing out on health- (and productivity-) promoting sunshine.
  • Bring a heater: No matter what the thermostat is set at, heating won't be distributed. So station one at your desk.
  • Step up your light game: Lensed/indirect lighting has long been linked with productivity, so upgrade your bulb and get to (better lit) work.